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Your selections:
Il Demetrio (1779) by Josef Mysliveček (1737-1781): a critical edition
- Landers, Heath Andrew Wayne
Nature in Berg’s Wozzeck
- Ewans, Michael
From serenata to opera stage: Giovanni Bononcini's serenata Amor per Amore (Rome, August 1696) as inspiration and source material for Il Trionfo di Camilla (Naples, December 1696)
- Halton, Rosalind
Die klingende Ferne; Walter Braunfels’ Opera Die Vogel after Aristophanes’ Birds
Performing opera: a practical guide for singers and directors
Gluck the modernist: Pierre Audi's production of the Iphigénie operas
Rhetorical concepts and Mozart: elements of classical oratory in his drammi per musica
- Landers, Heath A. W.
Two Landmarks in Wagner Production: Patrice Chéreau’s Centenary Ring (1976) and Nikolaus Lehnhof’s Parsifal (2004)
J. Leonhardt, S. Leopold, M. Meier Wege, Umwege und Abwege. Antike und Oper in der 1. Hälfte des 20. Jahrhunderts. Pp. 127. Stuttgart: Franz Steiner, 2011. Paper, E32. ISBN: 978-3-515-09928-8 (book review)
Victorian culture and classical antiquity: art, opera, fiction, and the proclamation of modernity (book review)
- Lindsay, Hugh
Wagnerism in Moravia: Janácek's first opera, 'Sárka'
Taneyev's Oresteia
- Belina, Anastasia, Ewans, Michael
Brecht at the opera (book review)
Love and death in art song and opera from 1810-1947
- Powell, Vivienne
Opera from the Greek: studies in the poetics of appropriation
Theatre Royal Drury Lane: Henry the Fourth (playbill)
- Theatre Royal Drury Lane
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